Showing posts with label intervjuo. Show all posts
Showing posts with label intervjuo. Show all posts

2017-11-01

Zamenhof interview: Esperanto & Jewish Ideals

Now on my web site:

Esperanto and Jewish Ideals,” Interview for the Jewish Chronicle with Dr. Zamenhof, The Jewish Chronicle, September 6, 1907, pp. 16-18. Note also the advertisement for "kakao" (cocoa).

With Zamenhof’s translation of ‘La Gaja Migranto’ (published in Fundamenta Krestomatio de la Lingvo Esperanto, 1903), mentioned in the interview.

This interview was translated into Esperanto and published in two parts. Note that R. I. [ = Isidore?] Harris is given as the interviewer:
Intervjuo kun d-ro Zamenhof de R. I. HARRIS, elangligis N. Z. MAIMON, La nica literatura revuo 6/3 (n-ro 33), Januaro-Februaro 1961, p. 82-89.
Intervjuo kun d-ro Zamenhof (fino) de R. I. HARRIS, elangligis N. Z. MAIMON, La nica literatura revuo 6/4 (n-ro 34), Marto-Aprilo 1961, p. 121-127.
Here I noticed interesting details about Zamenhof's thoughts on the Jewish question that I don't recall from other statements. For example, when he describes his attempt to create a new Judaism for the 20th century, he makes two curious assertions: (1) he almost blames his fellow Jews for isolating themselves within the nations in which they find themselves, but (2) he rejects Reform Judaism for excessive accommodation to the gentiles, who don't accept Jews anyway, Zamenhof thus abjures assimilationism as lacking self-respect. His project of Hilelismo (Hillelism, which later morphed into Homaranismo, no longer Jewish-specific and somewhat akin to Ethical Culture) was meant to reject an obsolete territorial (and superstitious) traditional conception of Judaism and modernize it to reflect the ethical ideal (of which monotheism is a part) incorporated in it.

Zamenhof's conception of the causes and cure of ethnic conflict betray an incredible lack of political sophistication. This can be seen most clearly in his paper “International Language” presented to the First Universal Races Congress in 1911. Denying economic causes for national conflict, Zamenhof curiously argues:
Can we say, for instance, that so many millions of poor Russians hate the millions of poor Chinese on economic grounds, when they shed their blood so willingly to defend their Russian oppressors against the attacks of foreigners? Assuredly not, for the Russian soldier knows very well, when he kills a Chinese soldier, that the man would never do him as much harm as the "mailed fist" of his own compatriots. It is not economic causes that give rise to national hatreds.
There is a glimpse of political consciousness in the reference to a group's own oppressors, which immediately disappears. His entire argument is abstract. While correctly denying intrinsic, ineluctable differences between peoples at the basis of animosity, Zamenhof exhibits not an ounce of political or historical consciousness in understanding how these problems came to be or what drives them. What he does show in his various statements is his intimate familiarity with Eastern Europe and the dilemma of Jews in this hostile environment.

This interview in English is invaluable, as the most extensive documentation of Zamenhof's engagement with the Jewish question, outside of his writings in Russian, is in Esperanto. But again, his political cluelessness comes to the forefront.

Zamenhof, soberly and with absolutely no self-aggrandizement, proposed the most far-reaching ambitious projects, all of which failed except for Esperanto, which succeeded in creating an international community of speakers that has survived 130 years, including the century following Zamenhof's death. Zamenhof projected into the future on a grand scale, from the vantage point of a provincial Eastern European Jew chafing at the ghettoization and discrimination that he suffered.

2017-10-12

Paul Olchvary interview

An interview with Paul Olchvary, publisher of New Europe Books, has just appeared:

"Mom says you were dumb to publish books, because you don’t make any money" - hlo.hu
Hungarian Literature Online, 10. 09. 2017

Although it is not mentioned in this interview, Paul published the English translation of Sándor Szathmári's landmark utopian/ dystopian novel Voyage to Kazohinia, written in Hungarian and Esperanto. He contacted me first of all to blurb his edition of the novel (the first published in the USA) and then to participate in a symposium on Szathmári at the Hungarian Consulate in New York City.

Paul summarizes his background and the path that led him to writing, translation, and publishing. He discusses the situation of translation and small presses as well as the process of translation. Also mentioned are some Hungarian authors he has worked on and with.

Congratulations to Paul on receiving this well-deserved public exposure!

2016-10-08

Frigyes Karinthy in the blogosphere

In addition to the references compiled on this blog and in my English and Esperanto Karinthy bibliographies on my web site, I have come across interesting references to Frigyes Karinthy that I have not yet documented in any of these places. Here are a few of them.

Seven Questions for Ottilie Mulzet on Animalinside
(Conversational Reading, Scott Esposito's blog, June 20, 2011)
"There is one pre-war Hungarian writer I would like to mention, however: Frigyes Karinthy (1887-1938). He was primarily known as a satirist and humorist and in fact, his satiric writings were absolutely brilliant. In a series of longer short stories, though, he explored the themes of extreme psychic disintegration. Clearly he was trying to see how far he could push the Hungarian language in these stories, what happens to it when subjected to a maximum level of psychic breakdown. I see some of these experimental writings as something of a precursor to Krasznahorkai’s work within Hungarian literature, although I have to add here I don’t know if Krasznahorkai himself would consider this to be the case."
JFK, Robert Anton Wilson, Timothy Leary, Six Degrees of Separation and other High Weirdness (Overweening Generalist, November 23, 2013)
"11. Ever heard of Frigyes Karinthy? He was a Hungarian Jew who died in 1938 and probably invented the idea of Six Degrees of Separation...around 1929? (He may have been influenced by radio man Marconi.) In 1936 he had an operation for a brain tumor, and then wrote an autobiographical book Voyage Around My Skull, which came out a year after he died and was re-released in English in 2008 with an introduction by Oliver Sacks. Karinthy's still popular in Hungary, and his books are marked by science fiction ideas, comedy, play with Jonathan Swift's characters, pacifism, the themes of adolescence and the battle of the sexes. His humor is black and ironic. He espoused Esperanto. He also speculated about Artificial Intelligence long before it was invented.”
Kledon: The experience of altering meaning and significance in fine art by György Szász. Theses for a DLA dissertation, Hungarian University of Fine Art Doctoral School, 2008.
"In many works we see the multiplicity of the notion of the present or that of reality. Karinthy Frigyes (Five o’clock Closing Time, 1918): “I dreamed I was two cats and that I played with myself.”
This story has not been translated into English, to my knowledge.

Here are two more posts I just added to my bibliography:

Frigyes Karinthy, Grave and Gay, seraillon (Scott W.), December 13, 2010

A Journey Round Karinthy’s Skull, seraillon (Scott W.), December 28, 2010

2016-07-31

National Museum of Language Interview with R. Dumain

Now on the blog of the National Museum of Language:

Intellect as Equipment: Interview with Ralph Dumain,
July 28, 2016
(Interview has been edited and condensed.)

See my blog entry Presentation on Esperanto at the National Museum of Language for a description and video of the presentations James Ryan and I gave on Esperanto at the National Museum of Language in College Park, Maryland, on 10 May 2014, titled Esperanto: One of the World's Best Underutilized Ideas and Its Contributions to World Culture.

The unedited text of my interview along with my 2014 presentation can be found on my web site:

National Museum of Language: Interview & presentation on Esperanto by R. Dumain

2016-05-20

Harmony of Babel

Harmony of Babel: profiles of famous polyglots of Europe
by Kató Lomb. translated from the Hungarian by Ádám Szegi, edited by Scott Alkir.
Berkeley; Kyoto: TESL-EJ Publications, 2013.

It should be no surprise that this is a Hungarian work. Hungary is not only linguistically isolated from Europe but for a large chunk of the 20th century it was the de facto cultural capital of the Esperanto movement.

Esperanto is mentioned by several interviewees. But see also especially the section "Does Latin have a present? Will Esperanto have a future?".

Contents: 

The Sun Is Shining 7

Polyglots: Old and New 11

Cardinal Giuseppe Mezzofanti (1774 –1849) 19
Sándor Kőrösi Csoma (1784 –1842) 47
Rasmus Christian Rask (1787–1832) 51
Heinrich Schliemann (1822–1890) 52
Ármin Vámbéry (1832–1913) 57
Alexander Lenard (1910 –1972) 64
What Is the Good Language Learner Like? 69

An Imaginary Report on a Round Table of Polyglots 81
Introducing the participants 83
When can we say we know a language? 139
Which is the most important language skill:
     grammar, vocabulary, or good pronunciation? 148
What method did you use to learn languages? 153
Has it ever happened to you that you started
     learning a language, but could not cope with it? 162
What connection do you see between age and language learning?
Is your knowledge decreasing with age? 164
Does Latin have a present? Will Esperanto have a future? 169
Are there “easy” and “difficult,” “rich” and “poor,” “beautiful”
     and “less beautiful” languages? 179
What is multilingualism good for? 188
Why Is Language Instruction Ailing in Hungary? 197

Selected References 213

2013-04-18

Bernard Stollman & ESP-Disk' (2)

Mi ĵus blogis pri Julius Balbin, firmao ESP-Disk', avangarda ĵazmukisto Sun Ra, kaj rilataj aferoj. Nun mi aldonas pluajn informojn. La jenaj aferoj estas anglalingvaj.

I just blogged in Esperanto about Russian poet Yevgeny Yevtushenko (as translated into Esperanto by Balbin), Esperantist Holocaust survivor & writer Julius Balbin, Bernard Stollman's avant-garde record company ESP-Disk', and avant-garde jazz composer and performer Sun Ra. The very first issue of ESP-Disk' was Ni Kantu en Esperanto (1964), followed by a series of trailblazing avant-garde jazz, rock, folk, and politically oriented record albums.

As I mentioned in my previous post, I was introduced as a teenager to the record label via The Heliocentric Worlds Of Sun Ra, Vol. 1. While already an Esperantist, I did not know of the linkage to Ni Kantu en Esperanto, though I do recall encountering it at some point and I recall Balbin's translation of Yevtushenko's Babij Jar on it. I noticed one line in Esperanto in small print on the back of the Sun Ra album cover, and I wondered for decades what ESP-Disk's connection with Esperanto actually was. I eventually learned and even obtained a stock of review copies of old ESP-Disks. Today I discovered a book on Stollman's story:

Always in Trouble: An Oral History of ESP-Disk', the Most Outrageous Record Label in America by Jason Weiss (Wesleyan, 2012). See also publisher information.

So now I will provide some additional links. Here are some reviews of the book:

Review: Always in Trouble: An Oral History of ESP-Disk’ by Farley Miller. MAKE: A Chicago Literary Magazine.

Unmatched Independent: On Record Label ESP-Disk' by Jesse Jarnow, Los Angeles Review of Books, August 19, 2012.

Dignity, Conviction, and Mrs. Stollman’s Checkbook by Steve Danziger, Open Letters Monthly.

Review by W. C. Bamberger, Rain Taxi, Online Edition: Winter 2012/2013.

Review by Jeff Tobias, Flagpole, March 20, 2013.

Wesleyan University Press Celebrates a Music Maverick, review by Alan Bisbort, CT.com, July 25, 2012.

More articles on Stollman's work:

The Artist Alone Decides—in a New Era by LARRY BLUMENFELD, The Wall Street Journal, July 8, 2010.

Fifty years ago Bernard Stollman started ESP Records!

Bernard Stollman Mentioned on Esperanto USA (January 3, 2010): JEN in New York in the ’60′s by Allan Fineberg.


Here are some interviews:

Bernard Stollman / ESP-Disk interviewed by George Parsons, Dream Magazine, no. 4, 2004.

Bernard Stollman: ESP Disk's Sound Revolution by FRANZ A. MATZNER, all about jazz, January 6, 2009.

Bernard Stollman: The ESP-Disk Story by CLIFFORD ALLEN, all about jazz, November 21, 2005.

Q&A with ESP-Disk Founder Bernard Stolllman, by Joe S. Harrington, New York Press, July 10, 2001.

Here are audio interviews with Bernard Stollman:

Bernard Stollman of ESP-Disk Interview On WKCR, circa 2009. 1 hour. (This interview, like other interviews & reviews, includes a discussion of Esperanto.)

ESP-Disk is Back, The Leonard Lopate Show, April 29, 2008. 17:40 min.

Here is an audio interview with Jason Weiss:

Jason Weiss On ESP-Disk, Always in Trouble, interviewed by Justin Desmangles, New Day, Sunday 10/14/2012 @ 3:00 PM - 6:00 PM. Interview @ 2:06:25-2:51

More radio shows:

E is for ESP-Disk by Michael Kaufmann, guest blogger Chris Schlarb, the sidebar, October 22, 2009. With ESP-Disk' play list and audio play.

See also:

ESP-Disk' YouTube channel

Frank Wright: Complete ESP-Disk Recordings.

2012-07-27

Guardian Books podcast: Minority languages

Guardian Books podcast: Saving minor language literature and a Welsh festival, 29 June 2012 (29 min)

Here is the extended description of the podcast (emphasis mine). The entire program is well worth a listen. The Gubbins Esperanto segment can be found at 7:50 - 15:55 min.


In this week's podcast, we turn our eyes – and ears – to the literature of minority languages. Claire Armitstead speaks to Clive Boutle, of publisher Francis Boutle, about his Lesser Used Languages of Europe series, and discusses the pleasures and problems of bringing out anthologies of Galician, Breton, Norman, Manx and Cornish writing. She also talks to Paul Gubbins, co-editor of the Esperanto magazine Monato, about the benefits of a truly international language.

Finally, as the inaugural bilingual Dinefwr Literature Festival opens, Sarah Crown asks National Poet of Wales Gillian Clarke about the challenges of representing a country with a substantial literary tradition in two different languages.

2012-06-24

Kálmán Kalocsay revizitata

Mi nuntempe relegas esperantaĵojn legitajn antaŭ jardekoj. Ŝajne mi estas nun pli atentema al detaloj aŭ pli favorema ol antaŭe.

Mi jam en antaŭa afiŝo diskutis (plejparte anglalingve) mian freŝan respekton al la intelekto de Kalocsay, preter liaj konataj poeziaj kaj prilingvaj kontribuoj. Mi specife referencis la Antaŭparolon al Vojaĝo al Kazohinio kaj “La Tragedio de L’Homo kaj Imre Madách” en Dek Prelegoj.

Estas ankaŭ interese rekonatiĝi pli detale pri ja jam konataj kontribuoj al literaturo kaj esperantologio, ekz. pere de:

Haupenthal, Reinhard. La Kontribuo de Kálmán Kalocsay al Esperanta kulturo. Lelystad, Nederlando: Vulpo-Libroj, 1978.  16p.
Ĉi tie oni trovos tre detalan superrigardon de la agado kaj atingoj de Kalocsay en la evoluo de Esperantaj literaturo, lingvo, kaj ĝenerala kulturo.

Mi estis tute forgesintaj ĉi tiujn ŝlosilajn intervjuojn kun Kalocsay kaj Auld, kies vidpunktoj ofte surprizas. Ankaŭ interese estas kontrasti ilin:
Haupenthal, Reinhard [intervjuinto]; Kalocsay, Kálmán [intervjuito]; Auld, William [intervjuito]. Du intervjuoj: interparoloj kun Kálmán Kalocsay kaj William Auld. Saarbrücken: Arthur E. Iltis, 1979. 28 p.
Mi raportos pri Auld estonte.

Iinstigite de Haupenthal, Kalocsay revizitas la demandon, ĉu li estas "poeto sen popolo". Li malaprobas reeldonadon de frua poemaro Mondo kaj Koro, kontentas pri Streĉita Kordo kaj Izolo, ne plu volas verki originalajn poemojn kaj taksas tradukadon pli grava afero. Tradukado estas deviga por hungaraj poetoj. Kalocsay taksas stultega la aserton de E.L.M. Wensing, ke afiŝo de Fiat en Esperanto pli valoras ol la tuta Esperanta beletro.

Kalocsay iom skeptikas pri tradukado de originalaj Esperantaj verkoj nacilingven. La provoj atentigi la nacilingvan publikon pri la valoro de Esperanto fare de Verloren van Themaat, kiu publikigis nederlandlingvajn tradukojn, fiaskis. Parto de la problemo estas elekto de eksmodaj romantikaj kaj sentimentalaj poemoj, kiajn la esperantistoj iam sed neniu ie ajn ŝatas nuntempe. (La sama juĝo aplikendas al propraj por-okazaj poemoj.) Pri La Infana Raso de William Auld, Kalocsay opinias, ke partoj, sed ne la tuto de tiu poemego kontentigas. Li ŝatas la unuan ĉapitron, sed ne ŝatas rektajn deklarojn, predikojn, admonojn, ktp., kiaj ne taŭgas en poezio.

Kalocsay iam nomis "Esperantan kulturon" la "amata ĉevaleto" de Auld. Kalocsay ne volas rifuzi sian hungarecon kaj cerbumas el kio konsistiĝus esperantisma patriotismo: nur la literaturo povus esti la komuna perilo. Sed eĉ literaturo ne sufiĉas por komuna Esperanto-kulturo, ĉar ĝi magras kvante kaj kvalite. La interna ideo eble plenumis unuigan rolon, sed ne plu, kaj la sennacieca idealo de Lanti estas frenezaĵo.

Kalocsay respondas pri propra rolo en Esperanta literaturo. Li ne scias, ĉu sia poezia verkado originala aŭ traduka estas plej influhava. Li bedaŭras, ke siaj bagatelaj Rimportetoj tiom furoras. Li ne certas, ĉu fakte okazis rekta influo de propra stilo al aliaj poetoj. Li opinias, ke sia simpleco kaj rekta esprimado, kiun li preferas, ĝenerale influis, montrante la eblecon verki poeziece.

Kalocsay, kiu, oni konas, malrekomendis la eldonigon de Ŝtupoj sen Nomo, denove esprimas sian malŝaton de la verkaro de Baldur Ragnarsson. Kalocsay specife analizis la laŭ si sensencan poemon "La Amo kaj l'Amebo". Kalocsay: "La sola homo, kiun mi ne povas kompreni nek toleri estas Ragnarsson." Edwin De Kock estas simple mallerta, sed li ne estas pozulo, kia estas Ragnarsson. Victor Sadler estas ĝuebla.

Kalocsay diskutas la misekvilibron inter originala poezio kaj aliaj ĝenroj. Verki lirikon, kian aktuale neniu volas legi, estas relative simpla afero, sed verki romanon aŭ dramon postulas multe da nekompensata ŝvitado. Raymond Schwartz parte sed ne tute kontentigas. (La verko diskutita supozeble estas Kiel Akvo de l'Rivero.) Pri la romano de John Francis (supozeble La Granda Kaldrono) ni vidos.

"Baghy estis sovaĝa talento". Viktimoj estas la plej legebla primilita lia romano. Baghy ne estis nur aŭtobiografiema, li rekte interagis kun multaj esperanistoj kaj lia personeco estis bone konata. Liaj konatoj ne povis rezisti lian universalan brakumon. "Marjorie Boulton estis tute enanimiĝinta al li, ekzemple. Ŝi estis enaminiĝinta al ĉiu . . ."

Haupenthal ŝatus legi eventualan memuaron de Kalocsay por senmitigi la iamana Literaturan Mondon, sed Kalocsay preferas konservi la privatecon de sia privata vivo, kaj li ne havis la oportunon rekte ĉeeste aktivi en esperantistaj rondoj.

Kalocsay rifuzas konfesi publike ke li mem estas la pseŭdonima Peter Peneter. Li ruze dancas ĉirkaŭ la demando. Parto de tiu segmento de la intervjuo estas ellasita laŭ peto de Kalocsay, sed Haupenthal poste aldonas ĝin, ĉar Kalocsay jam mortis.

Okazas ankaŭ ampleksa diskuto pri la kunlaborado kun Gaston Waringhien. La unua kontakto temis pri metriko kaj la rilato inter nacilingvaj stiloj kaj Esperanto. Kalocsay ankaŭ diskutas tradukajn aferojn.

La fina demando estas, kial Kalocsay aktivis per Esperanto dum pli ol duonjarcento? Kalocsay ne havis abundajn oportunojn persone renkonti kaj ekkoni esperantistojn. Lia ĉefa plezuro estis la tradukado, kiu cetere postulas tutan engaĝigon kaj komprenemon ĉe la originaloj. La hungara lingvo ne bezonis lin, sed Esperanto jes. "Esperanto estis mia nobla hobio."

Tre interesa intervjuo, ĉu ne?

2012-04-14

John Francis mortis

Laŭ anonco de Esperanto-Socio de Skotlando, mortis la 20an de marto John Islay Francis, la lasta vivinta kvaropano de la Skota Skolo.:

Death Of John Francis/Morto de John Francis

Laŭ afiŝo ĉe Ipernity, Francis mortis kelkajn tagojn antaŭ ricevo de sia ĵus aperinta lasta romano Kronprincedzino.

Mi de ĉirkaŭ kvar jardekoj ŝatis liajn novelarton kaj interesan starpunkton. Mi jam blogis kelkfoje pri Francis; ĉi-foje mi mencios nur kelkajn punktojn. Mi angligis lian novelon "La Tento de Kul":

"The Temptation of Kul" by John I. Francis, a tale of absolutisms in conflict

Ĉi tiu estas mia favorata novelo. Krom la novelaro Vitralo, mi legis, kune kun la literatura rondo de la Esperanto-Societo de Vaŝingtono, la romanon Misio sen Alveno. Mi posedas sed bedaŭrinde ne legis lian grandegan romanon La Granda Kaldrono. Kaj mi konfesas honte ke mi ne familiaras pri lia poezio.

Mi instigos nian lokan literaturan rondon denove ekzameni Francis. Mi esperas nekrologi plu. Sed nun, jen intervjuo aperinta en La Brita Esperantisto de aŭtuno 2003:

Intervjuo: John Francis



2012-03-30

Intervjuo kun Joseph Skibell

Mi jam blogis kelkfoje pri la anglalingva romano A Curable Romantic [Kuracebla Romantikulo] de Joseph Skibell. Jen aperas intervjuo kun li, tradukita en Esperanto, en:

Beletra Almanako, N-ro 13, Februaro 2012 (6-a jaro) (p. 166-171)

István Ertl intervjuas pri la spertoj de Skibell lernante kaj esplorante Esperanton kaj ĝian movadon prepare al la romano. Tiurilate Skibell vojaĝis kaj konsultis esperantologojn. Li ankaŭ eltrovis la Ido-movadon. Li esploris kaj eĉ ĉerpis el Esperanta beletro. Li eĉ tradukis al la angla la Sekretajn Sonetojn de Peter Peneter por adapto al muzika komponaĵo, sed tiu projekto ne plenumiĝis. Ertl trovas ironion en la uzo de Zamenhof en nacilingva fikcio kaj la supriza relativa foresto de Zamenhof en la originala fikcio de Esperanto.

Skibell diskutas sian perspektivon pri ĉefroluloj Zamenhof, Freud, kaj rabeno Kalonymus Kalman Shapira: Ŝapira sintezas la malajn perspektivojn de Zamenhof kaj Freud.

Paradokse, Skibell ne konsideras sin "juda verkisto." Ankaŭ okazas interŝanĝoj pri ebla filmo de la romano, de preseraroj, kaj de aperoj de artefaritaj lingvoj en nacilingva fikcio. La originala anglalingva intervjuo enhavas kelkajn esperantlingvajn frazojn fare de Skibell.

Jen retligaj referencoj el la teksto:

Loneliness and the Novel, Jewish Book Council Blog, June 6, 2011

Joseph Skibell, Writers Read blog, October 11, 2010

Bibliography for A Curable Romantic 

Joseph Skibell's "A Curable Romantic", November 4, 2010

Nu, la tuta ĉi tiu numero de Beletra Almanako estas alloga, do aĉetu se vi povas.

2011-05-29

Joseph Skibell discusses "A Curable Romantic": the Jewish experience, Freud, Esperanto

An Interview With Novelist Joseph Skibell by Benyamin Cohen, The Huffington Post, October 19, 2010.

Skibell discusses religion, the Jewish experience, and the writing of his third novel.

I really loved writing it, but in terms of complexity it was beyond anything I'd done before. It's like a bar bet: write a novel about Sigmund Freud, Esperanto, and the Warsaw Ghetto — oh, and throw a dybbuk into it. But the love story ties everything together.
There is also a link to this video:



Note that the video shows pictures relating to Zamenhof and Esperanto and that the author claims expertise on the early Esperanto movement. (Rimarku ke la video montras bildojn pri Zamenhof & Esperanto kaj ke la autoro iomete diskutas la fruan Esperanto-movadon.)

In more recent developments, Skibell was shortlisted for an award:

Laughing in the Face of Evil (On the Shortlist for the Sami Rohr Prize, Joseph Skibell Uses Writing and Farce in the Face of the Holocaust), by Laura Hodes, The Jewish Daily Forward, published May 18, 2011, issue of June 3, 2011.

The Jewish Book Council posted this notice on 22 March 2011:

2011 Sami Rohr Prize Winner Announced in Fiction
The Jewish Book Council is also pleased to announce Joseph Skibell, author of A Curable Romantic (Algonquin Books), is the 2011 runner-up and recipient of the $25,000 Sami Rohr Prize for Jewish Literature Choice Award.
And see:

Fiction Writers Facing a Pot of Gold: The Forward's Overview of Sami Rohr Prizewinners for Fiction 2011, by Dan Friedman, May 20, 2011.

You can also look up Joseph Skibell on Facebook.

Washingtonians, note that the author will appear here in June:

Steve Stern & Joseph Skibell: In Conversation
Wed, June 15, 2011, 7:00 pm
Sixth & I Historic Synagogue, Washington, D.C.

2011-02-05

Interview about Utopia in Four Movements

Interview about Utopia in Four Movements
Chuck Smith
Transparent Language Esperanto Blog, 6 December 2010

Sam Green is no stranger to his blog. I first blogged about this live documentary when it was shown in the Washington metropolitan area. The show is still on the road, and here is an interview about it.