Showing posts with label Sam Green. Show all posts
Showing posts with label Sam Green. Show all posts

2014-10-20

Utopia in Four Movements revisited

Utopia in Four Movements was a multimedia "live documentary" by Sam Green and Dave Cerf. It was presented at various venues around the country and abroad, including the American Film Institute's Silverdocs Documentary Festival in Silver Spring, Maryland (just outside of Washington, DC) on June 26, 2010. (See my blog entry on this performance.) This "live documentary" included film clips, narration, and live music. Is there any video of one of these performances as a whole? I do not know. Here are a few fragments on video.

                Utopia en 4 Movimientos. Segunda presentacion
Utopia en 4 Movimientos. Segunda presentacion from AMBULANTE on Vimeo.

   Utopia, Part 3  1/2 - 2/2: The World's Largest Shopping Mall

2013-09-28

Kontraŭaj taksoj de filmo ’The Universal Language’

Mi jam blogis plurfoje pri la filmoj de Sam Green pri utopioj kaj Esperanto. Jen du pluaj, kontraŭaj recenzoj:

Recenzo: The Universal Language 
(Nova filmo estas nur (ne tiel) ĉarma kuriozaĵo)
de Jim Ryan, Usona Esperantisto, 2013:2 (mar-apr)

Dua recenzo de The Universal Language
de Renato Corsetti, Usona Esperantisto, 2013:3 (maj-jun)

Sam Green estas amiko de Esperanto. Plue, kiam mi petis pli da dokumentado pri la filmĉerpaĵoj kaj fotografoj prezentitaj en liaj filmoj, li komplezis. Li donas pluajn informojn kaj fontojn en sia blogo pri la filmo. Do li ja volas helpi Esperanton. Tamen, la akra kritiko de Jim Ryan estas la pli ĝusta takso. La dokumenta filmo de Green estas disorda, nekohera, miskompreniga, kaj finfine nesufiĉe dokumenta, malgraŭ la raraj, nemalhaveblaj malnovaj filmetoj kaj fotografoj el la plej drameca epoko de la Esperanto-movado antaŭ la Dua Mondmilito.

Green malŝparas tempon kaj rimedojn pri portretoj de strange pozitaj esperantistaj kongresanoj, ne nur en la filmo mem, sed en la kromsuplementoj. Aparte en la aldona materialo, estus preferinde doni plenajn dokumentajn materialojn–malnovajn filmojn, fotografojn, ktp. kun fontindikoj kaj sugestoj por plua esplorado. Oni povus montri ankaŭ polurita(j)n deklamo(j)n de poemoj originalaj kaj/aŭ tradukaj.

Dokumentfilmo estu ne nur hazarda kolekto da impresoj sed vere historie informita kaj informiva, kun kohera historia perspektivo. La historia sento ĉi-kaze estas domaĝe misa, dankon al la nekompetenta ligigo de la Esperanto-movado kun diktatoreco, ekz. stalinismo, fare de Arika Okrent,  kiu estas lingvisto sed nek historiisto nek sociteoriisto.

La recenzo de Corsetti estas stultaĵo. Li laŭdas la filmon kiel realisman, montrante la esperantistojn kiel ili estas, sen polurigo de la makuloj kaj strangaĵoj. Kaj ja li mem estas esperantista kultisto kaj finvenkisto, sed la filmo fakte ne donas realisman bildon. Se jes, ĝi montrus diversajn, eĉ kontraŭajn perspektivojn pri la movado kaj la esperantistaro, preter reva idealismo, strangeco, kaj nostalgio al fiaskinta utopiaĵo.

Fakte mi tre ŝatas Sam Green kaj kunsentas lian emon rigardi retroen al la epoko de la 20a jarcento kun komparo al la mondorda situacio nuna. Sed percepteblas ankaŭ diferenco inter generacioj lia (postmalvarmmilita) kaj mia (malvarmmilita), el kiuj oni spektas aŭ spertas la epokojn ekz. de la 1930-40aj jaroj, la 1960-70aj jaroj, aŭ la 1980aj kaj postaj jaroj.

2013-05-30

Conlanging today: an infantile disorder?

My recent study of the history of utopianism and science fiction has spilled over into my musings about conlangers and speculations about alt culture. I think there is something essentially trivial about today's conlangers as there is about TV/cinematic sci fi. And therefore I think there is something grievously missed on the sociological plane by Arika Okrent who has otherwise rendered a great service by documenting this phenomenon. I also think that the otherwise admirable Sam Green made some serious and harmful errors in his two documentaries on utopias and Esperanto, for which Okrent is also egregiously guilty in the latter. She is a linguist, not a historian or social theorist. Thank Godless I'm a baby boomer. These younger folks have no sense of history.

 I am being uncustomarily diplomatic here.  Somewhere I wrote what is wrong with the Esperanto documentary. I think Sam compounded Okrent's misrepresentation of the era that produced Esperanto. As for the Four Utopias and Sam's documentary approach, Stephen Squibb nailed what is wrong with it.

I get constant updates in my Facebook newsfeed from conlangers, and while I find the resources available in this area far more sophisticated than what I recall being available in the era of marginal print culture when I was a teenager, something has declined in one area as sophistication has grown in another. In the old days, most of the conlangers (when the term did not exist) at least pretended to be interested in an international auxiliary language, with an admixture of eccentrics and outright cranks making big claims, especially those inventing a priori languages. (I am so glad I was finally able to acquire my own copy of Fuishiki Okamoto's 1962 book on BABM at the 2010 Esperanto USA congress, which I recall from my nerd salad days haunting the Buffalo main library.) In those days the figure most known for inventing languages for the hell of it was J.R.R. Tolkien (whose medieval nostalgia I soon learned to disdain), which he referred to as a guilty pleasure. It was something for male nerds just past puberty to do in those days, in a far more innocent but hardly idyllic time.

Now artificial languages are commissioned ad hoc for superficially sophisticated sci fi and fantasy films and TV shows. But Dothraki could not get me to endure Game of Thrones.  And my opinion of Avatar was none too favorable either. I have already expressed my "esteem" for Klingon (see the post reproduced below).

All of this reminds me of a visit to Buffalo in the past year, in which I was taken to a congregation of a sci fi film club, coincidentally located a block from where I grew up. I had to endure episode 6 of Star Wars all over again, a scenario so preposterous even the person who brought me found it dubious. Every stereotype you can imagine about this subculture is true; the reality is even worse, much seedier and much more awful than anything I grew up with. It's a sad case of arrested development.

There are, of course, a few conlangs of philosophical or ideological interest: Lojban, Laadan, maybe Toki Pona and a few others. I don't think so highly of these either, but the conlanging hobby as I see it flowing into my newsfeed strikes me as decidedly infantile, as infantile as blockbuster films and "reality" TV, more childish even than all the crackpot Esperantists combined I've encountered over the past 45 years. Esperanto, at least, was designed for a serious purpose, and its subcultures exist at least to communicate, and while conlanging is a creative endeavor as any other, most of it in the final analysis is as pointless and redundant as the latest American film or TV series. O Stanislaw Lem, where art thou when I need thee?




Sociology of Klingonism, 23 December 2010

If I could have projected my 14-year old self forward in time more than four decades, I would have reveled in today's conlanger world. While I outgrew direct involvement in this sort of thing, I retain an interest in documenting it, and I can more or less respect the hobby . . . except when it comes to Klingon. Arika Okrent has provided a forceful argument that involvement with Klingon is not contemptible after all, which almost had me convinced, but ultimately I revert to the anonymous cynic who insisted that the existence of Klingon speakers is an argument for forced sterilization.

Now comes this sociological study, parts of which I find quite fascinating, as Mr. Spock would. Who knew that Pierre Bourdieu would be marshaled to analyze the Klingon phenom?

Klingon as Linguistic Capital: A Sociologic Study of Nineteen Advanced Klingonists
[Hol Sup 'oH tlhIngan Hol'e' wa'maH Hut tlhIngan Hol po'wI' nughQeD ]
Yens Wahlgren, Bachelor’s thesis, Soc 346, 41–60 p, Spring semester 2004, Department of Sociology, Lund University
http://www.angelfire.com/trek/yensw/PDF/thesis.pdf

Esperanto is cited for comparison, including Peter Forster's 1982 sociological study, The Esperanto Movement.

One surprising--to me--twist here is the dissociation between Klingonists and Trekkies. (I think they prefer to be called Trekkers, but I prefer the more supercilious term). I would think that Klingonism would be Trekkiehood taken to the point of a psychotic break, but oddly, many Klingonists begin with a fascination with the language and not with the fictional universe from which it originates.
Many Klingonists seems to lose their interest in Star Trek after speaking Klingon a while. This may be a result of that the average age is higher among Klingonists than Klingon fans. Star Trek fandom is in many ways a youth culture (Gibberman, 1991).

However the KLI as a socializing institution is probably one reason for the fact that many Klingonists not consider themselves as trekkers anymore. In the process of Klingonists becoming Klingonists is not only the process of languages learning. A kind of secondary socialization (Berger & Luckmann) is occurring when interacting in the peer group of KLI. Officially the KLI emphasize that they not are a fan organization. Their journal it is not a newsletter or a fanzine, it is supposed to be a scholarly journal, indexed by the Modern Language Association, that uses blind peer review. The education level of the Klingonists is as we have seen very high and it would be reasonable to assume that the use of an academic language and style is endorsed.
But compare this to respondent Adam:
The fact that there’s a rich fictional background to the Klingons gives this language incredible character, and makes speaking it fun.
If you’re speaking Esperanto, you can’t ask yourself, ‘how would an esperantoan express this idea,’ because there’s no such thing as an Esperantoan. There are fictional Klingons with a fictional culture, so one can ask ‘How would a (fictional) Klingon express this idea,’ and that makes it more fun.”
Note the perversity:
Many Klingonists choose to perceive and treat Klingon as a “real”, actual alien language and not as an artificial language. Thus they are not interested in creating new words for human concepts. Their goal with the language is not that it will be as easy as possible to use for humans, but rather they want to understand how Klingons use their language. This adds another dimension to the Klingon community. To become a notable member among Klingonists linguistic capital is not enough -- you need cultural capital as well to know how a Klingon would think in a certain situation. Or more specifically: how the group of Klingonists think Klingons think.
However, the influence of attempting to adapt Klingon to earthly needs is also felt.

The dissociation between interest in the Klingons in the Trekkie universe & the Klingon language is quite intriguing:
In the ordinary Klingon fan world where role-playing and dressing-up as Klingons is the major activity, the knowledge of Klingon is to be considered as sub-cultural capital, in the eyes of the relevant beholder. Though to be a Klingonist seems not automatically to get you sub-cultural capital. By judging from my informants opinions there is a conflict between Klingon fans and Klingonists. To actually learn the full Klingon language is seen as a waste of time and somewhat strange. In my opinion this conflict can be connected to the fact that the KLI states that it is not a fan organisation. It may as well be a result of different focuses; the KLI’s primary concern is intellectual and the fan groups activities is more practical (creating uniforms, Klingon weapons etc.)
Different respondents have different views, of course, so I may sense a contradiction based on conflating informants, but it's odd, I think, to wonder how a Klingon thinks without being interested in Klingons, i.e. as they exist in the Star Trek cosmos. It's like being interested in a culture without being interested in it. I suppose this could be just a small step beyond being interested in a language only for the language. So I guess this is not as pathetic as dressing up as a Klingon after all. Still, wondering how a Klingon thinks is like wondering how a thug from South Buffalo would express himself, and I'm glad I haven't had to think about that for some decades.

2012-12-20

Zamenhof-Simpozio 2010 ĉe UNo ĉemize


Kio estas ĉi tio? Jen T-ĉemizo, farita de esperantisto-entuziasmulo Neil Blonstein. La bildo estas fotografo farita ĉe Zamenhof-Simpozio kiu okazis en Novjorko la 15an de decembro 2010. En la grupfoto aperas Sam Green, Ralph Dumain, Humphrey Tonkin, George Soros, oficialulino de UNo, Neil Blonstein, kaj filo de Soros.

Kiaokaze Neil surportas ĉi tiun T-ĉemizon, mi ne povas imagi.

2012-12-19

Sam Green's 'Utopia in Four Movements' revisited


by Stephen Squibb; Idiom; October 13, 2010

This is an old review but an interesting one. The reviewer is sharply critical but insightful in dissecting the logic of Green's live documentary  Utopia in Four Movements as well as his earlier documentary The Weather Underground.  Read for yourself.



2012-09-19

Sam Green: The Universal Language

Sam Green presented a rough cut of this documentary at the Zamenhof Symposium at the UN in New York on 15 December 2010, the same symposium in which I spoke on the Centennial of the Esperanto Universal Congress in Washington, DC. Since then I have blogged about the forthcoming final version.

Well, the documentary has been out for some time, and can be purchased on DVD or downloaded via the Internet. In addition, Sam has a web site devoted to the documentary, with a blog and with web posts in both English and Esperanto:

The Universal Language: A Documentary Film by Sam Green

The blog is bilingual, with English and Esperanto versions of each post, which relates to some aspect of the film or to Esperanto more generally.

I translated one of Sam's original English posts into Esperanto:

Intervjuo kun Eva Soltes pri komponisto Lou Harrison
August 02, 2012

. . . corresponding to the original:

An Interview with Eva Soltes about composer Lou Harrison
August 02, 2012

I have blogged before about Lou Harrison, in English and Esperanto. I myself first encountered Eva Soltes at the National Gallery of Art in Washington, DC, at the presentation of a documentary film about Harrison. This was the first event in a symposium about Harrison. I reported on this event (and subsequently the others) in Esperanto:

Lou Harrison: Mondo da Muziko
2011-02-28

In August viewers of Sam's film were invited to pose questions about it. Sam responded to the first round of questions. Before the month was out, I sent Sam some of my questions about the film. His responses to some of these are included in his second round of responses:

Respondoj al demandoj de legantoj II
August 30, 2012
Jen respondoj al kelkaj demandoj, kiujn vi sendis al ni

Questions from Viewers, Part II
August 30, 2012
Titles, futures, footage source

The comment about archival sources and the subsequent questions are mine. Sam provides images, video, and audio in response.

Here is some footage of the noted Andreo Cseh, of Cseh-method fame, teaching Esperanto to a class outdoors:



In response to my question about a voiceover, Sam presented a speech by the noted Esperantist orator and organizer Ivo Lapenna:

"La Kultura Valoro de la Internacia Lingvo" [The Cultural Value of the International Language] de Ivo Lapenna


2011-06-05

Sam Green, Utopia, Esperanto, Adorno

Here is a review of Sam Green's Utopia in Four Movements that I haven't seen before and that presents something different as well:

Hope Against Hope: Utopia in Four Movements by Andrew Lison, Dossier, May 14, 2009.

You don't often see Adorno's name juxtaposed to Esperanto, but the theme is failed utopian dreams and their monstrous side. It's a thoughtful review. I can't help but quip, though: there is Esperanto after Auschwitz.

2011-02-05

Interview about Utopia in Four Movements

Interview about Utopia in Four Movements
Chuck Smith
Transparent Language Esperanto Blog, 6 December 2010

Sam Green is no stranger to his blog. I first blogged about this live documentary when it was shown in the Washington metropolitan area. The show is still on the road, and here is an interview about it.

2011-01-26

Sam Green: new documentary film on Esperanto / nova dokumenta filmo

Esperanto documentary: The Universal Language
Posted by Chuck Smith, Transparent Language Esperanto blog, 12 Jan 2011

Nova dokumenta filmo pri Esperanto
Libera Folio, 2011-01-14

This interview exists in both English and Esperanto versions.

Sam Green showed a rough cut of his new documentary film The Universal Language at the Zamenhof Symposium in New York on 15 December. In his interview with Chuck Smith he discusses his new film and his admiration for Esperanto. Esperanto was also featured in his previous live documentary Utopia in Four Movements.

Does anyone have any information on the history of this photo? / Ĉu iu havas informojn pri ĉi tiu fotografo?

2011-01-09

Zamenhof-Simpozio at UNo, George Soros, & mi (10)

Jen artikolo en la franca / Here is an article in French:

George Soros, participant d’un symposium de UEA
(ĉe retejo de SAT-Amikaro)
Traduit de l’espéranto par Serge Sire, d’après l’article de Libera Folio
= traduko de Serge Sire, bazita de article en Libera Folio
= translation by Serge Sire based on an article in Libera Folio

La tradukinto aldonis postnoton kiu ne flatas Soros. / The translator added a note which is less than flattering concerning Soros.

2010-12-26

Zamenhof-Simpozio at UNo, George Soros, & mi (9)

Jen pluaj raportoj pri la Zamenhof-simpozio en Novjorko la 15an de decembro.

De Zamenhof al Soros en Novjorko, Gazetaraj Komunikoj N-ro 405 (2010-12-17), Universala Esperanto-Asocio.

La saman raporton republikigis pluraj instancoj, ekz.

De Zamenhof al Soros en Novjorko - Novaĵoj 新闻 - 中国世界语网 www.Esperanto.cn 中国世界语门户网站 (2020-12-20)

Mondaj Skoltoj, kun angla traduko: George Soros visits  Esperanto symposium in New York (12/18/10)


Esperanto Movado: George Soros vizitas Esperanto-simpozion en Novjorko (2010-12-19, blogo, kun propraj fotoj)

Esperantic Studies Foundation: George Soros vizitas Esperanto-simpozion en Novjorko (2010-12-17)

La raporto el Libera Folio ripetiĝas ĉe El Popola Ĉinio (2010-12-20)

Estas malmulte ĉe sociretejo Ipernity: nur mallongaj anoncoj de Ralph Dumain kaj Neil Nachum.

Estas raporto en la portugala el Brazilo: DIA DE ZAMENHOF – COMEMORAÇÕES EM 2010 (20 Decembro 2010)

Mi raportis pri anglalingvaj novaĵoj en mia antaŭa blogero.

Zamenhof Symposium at UN, George Soros, & me (8)



Here is another news article in English:

Can you say 'Billionaire' in Esperanto?
China Daily, 2010-12-26




In the World Scouts newsgroup is an English translation accompanying a news article on the symposium:

George Soros visits  Esperanto symposium in New York (12/18/10)

This latter report, unlike the former, also reports on the four main speakers of the symposium including Esther Schor, who has been neglected in some of these reports.

2010-12-23

Zamenhof Symposium at UN, George Soros, & me (7)

Video by Verlette Simon

00:00-00:32: Ralph Dumain salutas Gary Shapiro-n
                          = Ralph Dumain greets Gary Shapiro
00:33-00:47: Humphrey Tonkin laŭtlegas el memuaro
                             de Tivadar Soros
                          = Humphrey Tonkin reads aloud from memoir by
                             Tivadar Soros
00:47-02:52: George Soros rakontas pri sia infaneco kun
                             patro Tivadar
                          = George Soros reminisces about his childhood &
                             his father Tivadar
02:53-03:29: fotado de la prelegintoj & organizintoj
                          = photo op with Soros, the speakers, & organizers

2010-12-21

Zamenhof Symposium at UN, George Soros, & me (3)

Here is a video from the Dec. 15 Zamenhof symposium at the UN:

George Soros on his father Teodoro/Tivadar & the Esperanto publishing house "Literatura Mondo" /
George Soros pri patro Teodoro-Literatura Mondo





See photos in Albums / Jen fotoj en albumoj:

Zamenhof to Soros Symposium 2010: 116 photos / fotoj
Soros Z-Simpozio: 13 photos / fotoj

Here is one photo / Jen ekzemplo:





Today on the web! / Ĵus aperis:

Esperanto, the 'Worldwide Yiddish'
By Gary Shapiro
The Jewish Daily Forward
December 21, 2010
http://blogs.forward.com/the-arty-semite/134095/

I am featured prominently in this article.

2010-12-19

Zamenhof-Simpozio at UNo, George Soros, & mi (2)

Jen pluaj raportoj, en Esperanto.

George Soros ĉeestis simpozion de UEA, Libera Folio, 2010-12-18.

Oni trovas ĉi tie detalojn pri Soros kaj klarigojn de Humphrey Tonkin, sed ankaŭ menciojn pri Ralph Dumain kaj Sam Green.

Ĉi tio sekvas la raporton de Esperantic Studies Foundation:

George Soros vizitas Esperanto-simpozion en Novjorko (2010-12-17)

Jen ankaŭ:

Kiel diri "miliardulo" en Esperanto?, traduko de artikolo de ALISON LEIGH COWAN, New York Times, ĉe Libera Folio, 2010-12-18.

Estas ankaŭ raporteto ĉe Ipernity:

Zamenhof Simpozio en Novjorko de neil_nachum (17 Dec 2010)

2010-12-18

Zamenhof Symposium at UN, George Soros, & me (1)

15 December 2010

(From the left / de maldekstre): Sam Green, Ralph Dumain, Humphrey Tonkin, George Soros, Françoise Cestac (former Assistant General Secretary of the UN / eksa Asista Ĝenerala Sekretario de UN), Esther Schor, Neil Blonstein, Jonathan Soros.

I was the second speaker at From Zamenhof to Soros: A Symposium held at the United Nations on 15 December, Zamenhof's birthdate.

Esther Schor spoke about Zamenhof's perspectives on the future short-term and long-term.

My topic was "Esperanto, Washington, and the World in 1910", a thematic presentation of the various interests represented at the first Esperanto Congress outside of Europe and Zamenhof's only visit to the United States, with the novel addition of the missing perspective, that of African Americans in Jim Crow America. I introduced the public to major civil rights leader, classics scholar, and the first known African-American Esperantist, William Pickens.

Sam Green presented the rough cut of a new half-hour documentary on Esperanto, continuing the utopian theme presented in his previous documentary Utopia in Four Movements, with more interview material of contemporary Esperantists and film footage of Esperanto conferences in the 20th century.

Humphrey Tonkin spoke about Tivadar Soros, who changed his name from Theodore Schwartz (in Esperanto Teodoro Ŝvarc), key Esperanto publisher of the interwar period and survivor of both a World War I POW camp and Nazi-occupied Hungary, each the subject of a memoir published in Esperanto. ("Soros" in Esperanto means "to soar".) The latter memoir, Maskerado Ĉirkaŭ la Morto, which I read in the original Esperanto 40 years ago, was translated into English as Masquerade some years ago. Soros' 1923 memoir Modernaj Robinzonoj is newly published in English translation as Crusoes in Siberia along with another piece "The Fairest Judgment". Dr. Tonkin spoke at length about Soros' trek from Siberia to Moscow, his character, achievements as a writer and publisher and the circumstances of publication of these memoirs. (For political reasons, he could not have published the Siberian memoir in Hungarian).

Following the formal program, the son of Tivadar, the famous billionaire George Soros, arrived to accept the presentation of his father's memoir in English translation. He spoke warmly about his father and shared some childhood memories. George's son Jonathan was also present. Immediately thereafter the photos you see were taken.

Also introduced at this symposium was another book just off the press from Mondial Books, Zamenhof: The Life, Works and Ideas of the Author of Esperanto by Aleksander Korzhenkov, an abridgment of the original biography published in Esperanto.

So far in the American press we have this news item from the New York Times: How Do You Say 'Billionaire' (Soros) in Esperanto? by Alison Leigh Cowan (Dec 16, 2010).

Other reports have surfaced in English and Esperanto, mostly on Facebook. This report is bilingual: George Soros vizitas Esperanto-simpozion en Novjorko (December 18, 2010).

Also in Esperanto we have this report published by Esperanta Civito: Soros ĉe Zamenhof-Tago en Nov-Jorko (18 Dec 2010).

2010-07-01

Meditations on utopia, documentaries, Zamenhof & Esperanto culture

Written 29 June 2010:

I had some additional thoughts on Zamenhof while trapped on the malfunctioning Red Line yesterday evening en route to a play on the excommunication of Baruch Spinoza. The play, however, wiped my memory of this cerebumado. I believe these were the things I was thinking about:

(1) Could an argument be made that Zamenhof kicked off the utopian dreams of the 20th century? (Not really, but . . . ) How does the Esperanto movement relate to other key events and innovations of that historical moment in Western civilization? We could take the 1905 Universal Congress as a landmark. Possible points of comparison: the failed Russian Revolution of 1905, Einstein's "miracle year", the birth of cubism and futurism a few years later, the technological breakthroughs / inventions I mentioned in my radio interview . . .

(2) A more thorough treatment of Zamenhof's alleged naivete is needed. I've been involved in a limited discussion of this topic on another list. I've forgotten most of what I remember from reading various biographies 35-40 years ago, which were published before the wave of scholarship since the '70s which brought to light the centrality of Zamenhof's Jewish concerns. This material, however, helps me make sense of why Zamenhof thought the way he did, and though there were serious limitations in his social world view, it would be incorrect to dismiss him as naive, especially not with the old saw that he thought a common language would yield world peace. In context, even a "neutral" movement espousing internationalism in a world in which human rights were universally disrespected was a political intervention that could disturb the powers that be, regardless of the practical advantages adoption of such a universal auxiliary language might bring.

(3) Of the various video documentaries and informational material I've been looking at recently, what do we have in the way of a intensive video documentary of a certain period of Esperanto history, say from 1887-1937 (first 50 years), or maybe through 1945, 1947, or maybe even up through the UNESCO victory in 1954? The bits of visual footage of the Esperanto movement from Zamenhof himself through the 1930s in Sam Green's film made a striking impact on me, and I'd like to see more compiled in one place. For instance, you could add the SAT congresses, the role of Esperanto in the Spanish Civil War, the Nazi and Stalin persecutions, Esperanto in the Resistance, relief efforts in postwar Europe . . . It's interesting that great efforts, even enlisting important filmmakers, are now being made to document the Esperanto movement for promotional purposes, covering various angles. But as a person interested in history, I'm stuck in the past, and oddly, it's the first 60 years of Esperanto, all having transpired before I was born, in radically different social and cultural circumstances, that most interest me.

(4) I had the strangest feeling looking at footage of young people dancing to Esperanto rock, punk, hiphop, or whatever I saw. This seems to unreal to me; maybe I should witness this myself one day and it won't seem so preposterous. But it also reminds me of my own reaction to the limited part of the Esperanto world I encountered in the '70s. It seemed so dated, quaint, exotically anachronistic, so thoroughly old fashioned and behind the times, so totally out of touch with popular culture, not to mention reality . . . I found Esperanto charming as a survival from the past, something to be experienced anachronistically rather than contemporaneously. Anyone attempting to write poetry in American English in the way Esperantists wrote poems would induce hysterical laughter. Maybe it was the provincial Buffalonian in me that found this internationally based provincialism irresistible. But there is also the premium on print culture, the lifeblood of Esperanto for those who didn't travel much. Monda Kulturo, Norda Prismo, Hungara Vivo, etc.--whatever was lacking in terms of original ideas, one could nonetheless find a serious attitude towards literacy and literature. Decades before I completed my little poem for the Zamenhof-Tago in 2007, I wrote the first line: "Ho, orfo de Eŭropo orienta" . . .

This is the best I can recall of my delirious meditations while fuming in a stalled subway car.

2010-06-30

Utopia in Four Movements

Utopia in Four Movements is a "live documentary" by Sam Green and Dave Cerf. It was presented at the American Film Institute's Silverdocs Documentary Festival in Silver Spring, Maryland (just outside of Washington, DC) on June 26, 2010. This "live documentary" was a multimedia presentation. The filmmaker Sam Green, in the flesh, narrated the film with live background music provided by a trio called The Quavers, with Dave Cerf masterminding the sound. So this is not (yet) a standalone documentary film.

The four utopias are (1) Esperanto, (2) revolution, (3) shopping malls, (4) forensic anthropology. The general theme undergirding all the "utopias" is the frustrated dream of an egalitarian society. Esperanto is not only the first utopia of the film but in a sense its anchor.

Esperanto was presented with quite a bit of photographic footage originating prior to World War II and film footage of contemporary Esperantists from a wide range of nationalities at world congresses. As most of my face-to-face contact is with American Esperantists, I rarely get the full impact of oral communication across language barriers. All this was quite inspiring and swelled me with pride in being an Esperantist.

I was quite stunned to see film footage of Zamenhof himself, which I didn't know existed. I wish we could get hold of this and preserve it in a usable form ourselves. I inquired afterward and was told it came from a French newsreel and was difficult to acquire. Sam Green was rather pressed for time, so I didn't get a chance to pursue the matter, but we should inquire as to the details and availability of this footage.

Including myself, I identified three Esperantists in the audience. At the end of the Q & A, Jim Ryan, sporting an Esperanto T-shirt, was called upon to say a few words about Esperanto and the presence of the local society. Afterwards, he handed out flyers to exiting attendees.

It was fun for me, and good for Esperanto, unless you think a photo of Mao's red book in Esperanto might give people the wrong idea. (I'm told it's not the red book but Mao's Elektitaj Verkoj Vol. I [Selected Works].)

Evaluation of the whole film requires more in-depth analysis. I think the strength of the relationship between the overall point made about the difference between the perspectives of the early 20th century and now, and the fragments of historical information provided, particularly about revolutionary movements, could be questioned, for the actual examples given could serve to undermine the general argument. I brought this up with Sam Green, who admitted the problem. Regardless, we get a rather impressive exposition of Esperanto, both of its explosive growth and presence prior to the Second World War, and its persistence up to the present time.

If you can read Esperanto, you will see from the Libera Folio blog that some Esperantists were put off by the film. I don't know much Sam Green varies his narrative at each showing, but I don't see him depicting Esperanto as a noble failure. If anything, he demonstrates the resilience of the Esperanto movement, and by showing Esperanto as a living language, in which people of all nations participate, he releases Esperanto from being held hostage to finvenkismo [final victory of Esperanto as an international auxiliary language]. His depiction of Esperanto conferences reflects his 1000-points-of-light theme about patches of limited progress in the face of the smashing of big dreams about a comprehensive social overhaul.

Sam Green's aim, as he has stated in public and to me personally, was to paint a poetic rather than historically precise portrayal of any of these 'utopias'. The question remains as to whether people would get the general gist of his contrast between the big dreams of a century ago (and up through the 1960s) and the dismal prospects of today, or whether they would scrutinize with critical precision the details of what was being presented and question its logic. I would hate to see the '60s summed up by the Brinks bank robbery and the Cultural Revolution. I don't recall whether I saw Green's documentary on The Weather Underground on PBS. It's quite possible, but then I also saw the film the Weather Underground itself made underground in the '70s, and my memory is blurring. As I told Green after the film, people might get the wrong idea from the examples he chose, a possibility he admitted. But you can see how his associative thinking worked: big dreams turned into disasters, Viennese ex-socialist inventing the American shopping mall, ex-Maoist becoming mega-mall developer, Cuba trying to keep the dream alive, American fugitive and expatriate in Cuba keeping the dream alive, Mao's book in Esperanto. It's a chain of associative connections which are not logical from the standpoint of serious historiography, but which, if not scrutinized too closely, support Green's imaginative construct.

I'm also guessing that Green, who is evidently too young to remember the '60s, might be over-romanticizing the wrong things, or more accurately, might have internalized a crude opposition between utopia and disaster, taking each as frozen images of political movements to place in opposition to one another, which is no way of understanding real history. I hope he doesn't wear a Che T-shirt. I couldn't stand that stuff 40 years ago.

And now, a couple paragraphs for non-anglophone Esperantists, followed by a list of links.

Krom la anglalingvaj retpaĝoj, rigardu Utopio en kvar movimentoj ĉe Verda Filmejo. En la blogo Libera Folio vi trovos plurajn plendaĉojn pri la filmo, kelkajn defendojn, kaj plurajn kromdiskutojn. Bazita de la ĵusa specifa prezento en Silver Spring, mi ne gajnis impreson pri Esperanto similan al tio de tiuj kiuj reagis negative. Ŝajnas al mi, ke la ĝenerala bildo pri Esperanto estas pozitiva. Se oni atentos detalojn, eble oni perceptus alimaniere, sed neniu povas certi pri reago de novulo kiu antaŭe sciis nenion pri Esperanto.

Eble ekzistas problemo pli ĝenerala, t.e. nostalgio pri utopioj kiujn oni funebras kiel malrealismajn. La ŝlosila difekto--aŭ manko de logiko kaj konsekvenceco--estas en la dua parto de la filmo, pri revolucio--kies mesaĝo finfine malkoheras kiel rezulto de la ekzemploj elektitaj.

Links / Retligoj:

Utopia in Four Movements

Sam Green

American Film Institute's Silverdocs Documentary Festival

Silverdocs: A conversation with Utopia in 4 Movements Director Sam Green

Utopia in Four Movements | San Francisco Jewish Film Festival

Sam Green @ YouTube:

Sam Green: Hoping for the Best

Sam Green - Utopia in Four Movements

SFIFF53 Video Scoop Friday April 30
Utopio en kvar movimentoj

Filmo pri utopio ignoras la realan Esperantujon