Showing posts with label antilingvo. Show all posts
Showing posts with label antilingvo. Show all posts

2016-07-31

National Museum of Language Interview with R. Dumain

Now on the blog of the National Museum of Language:

Intellect as Equipment: Interview with Ralph Dumain,
July 28, 2016
(Interview has been edited and condensed.)

See my blog entry Presentation on Esperanto at the National Museum of Language for a description and video of the presentations James Ryan and I gave on Esperanto at the National Museum of Language in College Park, Maryland, on 10 May 2014, titled Esperanto: One of the World's Best Underutilized Ideas and Its Contributions to World Culture.

The unedited text of my interview along with my 2014 presentation can be found on my web site:

National Museum of Language: Interview & presentation on Esperanto by R. Dumain

2014-02-01

Jean-Pierre Brisset & logophilia

Brisset no doubt returned to Port Royal and to the General Grammar before Saussure. In fact, the title of his principal linguistic work acknowledges the debt: The Logical Grammar. It is as if Brisset had successfully blended Grammar and Logic in order to finally create that portmanteau science which others before him had dreamed of, beginning with Leibniz and his project of a universal characteristic. Yet, in the first phase of his research, he restricts himself to monoglossia, and at no point becomes involved in inventing his own Esperanto. Like all the other logophiles, Brisset will only be able to find universality in what already exists. In spite of his ‘logical’ requirement, his work remains essentially founded upon an insurmountable empiricism, and attached to a research which remains flush with a chaos of the language that he is only concerned with ordering.


SOURCE: Pierssens, Michel. The Power of Babel: A Study of Logophilia, translated by Carl R. Lovitt (London; Boston; Henley: Routledge & Kegan Paul, 1980), p. 65.

Louis Wolfson & logophilia (no Esperanto)

[. . .] Wolfson, like Brisset and Roussel, has no thought of producing a new language, for which he would set codes, and which would compensate for the insufficiencies of each language which has not provided signified and signifying series totally isomorphous to those of English. By studying an increasing number of languages, Wolfson, like the poet according to Mallarmé, strives to ‘remunerate the deficiencies of languages’. This is an interminable undertaking that a personal Esperanto could have greatly simplified, had the rationality of an economic calculation been able to find a place in that which recognizes only the law of desire, whose despotism cannot be repelled. Like Mallarmé, Saussure, and Roussel, Wolfson comes face to face with something like a transcendence, an enigmatic being which effects the collusion of a desire and a form. This elusive phantom, some aspect of which escapes from every grasp, whether it be that of science, literature, or whatever, is the sign. The absolute horizon of pleasure and suffering, of being and knowledge. Wolfson cannot tolerate the idea of splitting the sign, and isolating the signifier from the signified. The technique of universal translatability which he institutes from one language to all the others seeks only to preserve the integrity of the meaning, on condition that it be free to migrate, to circulate among all languages without coming up against the frontiers of a system which would arrest its flux, on condition that it be able to reterritorialize or expatriate itself at will. This promotes an incessant motility agitating from within the paradoxical content of a membrane, which makes languages a coalescence of sounds and meanings struggling against chance. The French in which Wolfson finally tells his story constitutes a makeshift solution, the stasis of a respite in the depths of a temporary refuge to which he episodically manages to withdraw. In no sense is it a metalanguage with which the manipulator would put an end to the manipulations which affect him. There is no more a place in Wolfson’s adventure for a metalanguage, than there is for any Esperanto—thereby verifying Lacan’s formula. Language remains for him an empirical continuum; the territory cannot be divided so as to permit the emergence of a mastery, nor is there any possibility of a reprieve in which the subject would no longer be in question, in which the interrogation which continually calls him into question would lose its impact. In other words, for Wolfson, there is no science.


SOURCE: Pierssens, Michel. The Power of Babel: A Study of Logophilia, translated by Carl R. Lovitt (London; Boston; Henley: Routledge & Kegan Paul, 1980), p. 60.

2011-01-31

Baldur Ragnarsson, nobelpremioto?

Eble vi memoras, ke oni iam promociis William Auld kiel kandidaton por la Nobel-Premio de literaturo. Akademio Literatura de Esperanto nun rekomendas veteranan poeton Baldur Ragnarsson kiel Nobel-kandidaton. Notu ankaŭ:

Baldur Ragnarsson - Bibliografio de la verkoj en Esperanto

Atentu ankaŭ retligojn, precipe al la jenaj retejoj:

Baldur Ragnarsson (OLE)

Baldur RAGNARSSON (Originala Literaturo, en la reto, en Esperanto / Don HARLOW)

La (ne plu vivanta) Don Harlow provizas sonregistraĵon de Finosortas.

Pro mia intereso pri la temo, mi mencias la poemon La filozofio.

Kompreneble, oni trovas Baldur Ragnarsson ĉe Vikipedio. . .

. . . kaj eĉ en la anglalingva Wikipedia (in English).

Ragnarsson estas ankaŭ tradukisto kaj eseisto kaj poeto en la islanda lingvo. Miareteje troviĝas iu unika eseo:

Esperanto Kiel Anti-Lingvo de Baldur Ragnarsson

Notu ankaŭ:

The Secret Malady of Esperanto Poetry (1973) by Dr. Julius Balbin